Category Archives: Swimming

Tempo Practice Maintaining Strokes Per Length

Monday I swam, thinking a lot about what Coach Shinji and I worked on Saturday.
I warmed up and then instead of only practicing Strokes Per Length (SPL) I did SPL with the tempo trainer.
As one workout, I will practice SPL without caring about tempo. I just keep trying to maintain the lowest SPL for as many 25y lengths as possible, until I start to tire. This time I decided to do something slightly different. I wanted to see if I could maintain the same SPL but at a higher tempo. In doing so, I could practice efficiency but at higher speeds. I can start practicing what it takes to be efficient at higher tempos, and what I need to do in my stroke and body position to make it so.
I started at 2.0 seconds on my tempo trainer and did the first 25y length at 13 strokes then got to 12 strokes on the next three 25y lengths. I then went to 1.9 seconds and maintained 12 SPL for four 25y lengths. I then dropped to 1.8 seconds and so on, swimming four 25y at 12 SPL at every tempo setting. I finally found my limit at 1.5 seconds where I was feeling like I was gliding a little bit longer at my 12th stroke to the wall. At 1.4 seconds I lost 12 and did 13. I tried for the next three lengths to hit 12 and think on the last one I could have finally glided to the wall on 12, but took the extra stroke anyways.
It was very interesting to note exactly what I had to do to maintain 12 SPL especially at faster tempos. At 1.5 seconds, I really had to shoot the forward arm fast while stroking back with the other arm with more speed/force. But I also had to do this by being more relaxed and not tense, and also making sure my body streamline was more precise. Just more stroking force and forward arm speed was not enough. At 1.4 seconds tempo, it took me 3 lengths to get the right technique to barely make the 12, even as I took the 13th stroke to firm up hitting the wall.
I was also getting tired too so that didn’t help. In addition, as my tempo rose, it seemed my breathing technique got messier and I was not gliding as much when I took a breath.
I sent this to my coach for feedback and he told me that this is a good thing, which is to be able to control my speed at the same stroke count. He estimated my time to hit the wall on a 25y length at 2.0 seconds tempo to be about 30 seconds (12 SPL x 2.0 seconds tempo + 2.0 seconds tempo x 3 additional strokes my coach adds for the push off the wall and glide = 30 seconds). Using the same formula, at 1.5 seconds tempo it took me about 22.5 seconds. So between 30 seconds to 22.5 seconds I could control my speed and still maintain my SPL.
He also told me that my body position must be more precise as I increase my tempo, and that being tense will make me slower. He mentioned that as I practice the various tempos, I can eventually determine what part of my body I should loosen and tighten up to maintain SPL.
He then told me to practice the same process with 13 strokes, but now at a faster tempo range like 1.6 to 1.3 seconds. Then I repeat until I get to 15-16 SPL at a super fast 0.8 seconds. If I can master this tempo control and maintain efficiency, then I can employ a variety of speeds during races.
Cool stuff. I think over the next few weeks I will work a bit on seeing if I can maintain 12 SPL at higher tempos for some of my workout sessions. I will also try to figure out what it is my body needs to do to be more efficient at higher tempos. It will be critical in figuring out how to get faster in the water and not just be exponentially increasing my effort needlessly to get a tiny increase of speed.

Total Immersion’s Superman Glide

Total Immersion has this drill called the Superman Glide. You basically push off the bottom of the pool (not the side; that’s cheating!) and launch yourself forward into the “Superman” flying position.
The object is to practice good streamlining, relaxation and no tension. If you do it right, you will zip farther in the pool before you stop than if you have poor streamlining or have an extremely tightness in your body.
My Coach Shinji can glide 18y on a single push off. It’s pretty freakin’ amazing:

One exercise I did was to see how many Superman Glides it would take to get to the end of a 25y pool. At first, it took me about 4.5. Over the last few months, I experimented with a lot of tweaking of my body positioning and finally made it in 3 glides. Some things I found that worked:
1. Relaxing is much better than stiff or tight. I just exercise enough tension to hold my arms straight out in front of my head, and to extend my legs. But no more than that.
2. However, relaxing totally didn’t work either. It meant that my body was a bit too loose and resulted in a less streamlined profile than holding enough tension to extend my body more sleekly.
3. I discovered that narrowing my body profile by extending my arms forward of my head is better than just putting them out there in a “V”. my shoulders are actually extended forward with my arms so it reduces the width of my shoulders.
4. I straightened my back, which feels a bit like arching the back to remove the natural curve of the spine. This is also achieved by rotating the hips forward a bit. A flat back seems to make me go further.
5. My legs do not just hang back relaxed. There is too much drag if they are just hanging out straight. Instead, I make a conscious effort to keep them straight back and touch my feet gently together, which puts my legs in my slipstream.
6. On the push off from the bottom of the pool, I plant my feet firmly before pushing off. I also try to push forward, which is tough because the bottom of the pool is slippery. It is better to plant the feet on the non-tile portion of a lane. Tiles are much more slippery than the other non-tile surfaces of the pool bottom.
I push off as straight as possible. Any angle or upset in my direction will either push me into a lane line or cause me to rock, which increases drag.
I try to push off as hard as possible. This is very hard because my feet slip on the bottom, even if they are not on the tiles. A harder push means more forward momentum, but is hard to achieve because your feet don’t have a nice surface to grip onto.
7. As I glide and slow, there is a tendency for my legs to drop. I try to flex whatever muscles in my back I can to keep my legs as high as possible, and to extend the time before my legs drop. Letting your legs drop is OK as far as the exercise goes, but it does not let you achieve your maximum length glide.
I only let my legs drop when I come to a complete stop.
8. By the way, you should be rested and not out of breath from warming up, or doing laps before. Gliding a long time also means holding your breath a long time until your forward motion stops so you don’t want to stop the glide early just because you’re running out of air!
9. I am very sensitive to the water flowing around every inch of my body. As I develop my position, I try to sense where is water causing drag on my body and where it is not. If there is drag, I try to change something on the next glide to see if I can remove the drag. This is also helpful during regular swimming, which is to see if anything on your body is slowing you down.
One of these days, I hope to achieve an 18y ultimate Superman Glide!

TI Swimming with Coach Shinji 12-12-09

Another great session with Coach Shinji this last Saturday. It was a rainy, cold day but us swimmers don’t care; we’re wet anyways. It’s not so nice for coaches who have to stand in the rain though.
Everytime I work with him, I always get a few more tidbits of insight from him. Some notes:
1. Practice varying the entry point from very wide to very narrow. Find the place which is most comfortable and also generates the most speed. Open water swimming tends to have a wider entry point than in the pool. Narrow entry points allow for longer hand motion under the water as the hand shoots forward, generating more momentum.
2. Wetsuits don’t allow as much roll so you have to learn how to generate motion on a wider track.
3. Push down on the instep when snapping the kick.
4. If I increase tempo too fast, then I could spin, which is when my arms are just cycling but I stop after each stroke and there is no glide. I must learn how to increase the tempo but do not spin.
5. If my SPL jumps at a certain tempo then this is the point at which something is wrong or something has changed.
6. At each tempo, I should count stroke and look at how it changes as tempo changes.
During this session, Shinji and I started at 1.2 seconds tempo, and did 25y lengths counting strokes, with each length decreasing the tempo by .1 seconds. I did this all the way up to 2.0 seconds tempo, and my SPL ranged from 15 in the beginning to 12 at the end. Then I increased the tempo by .1 seconds for each 25y length, all the way down to 1.2 seconds. I discovered that at around 1.3 seconds, my SPL jumped to 15 and realized that at this point, I needed to concentrate on what had changed, and how to maintain SPL.
7. Slower tempo requires more relaxation and good balance. There is more gliding, so you need to glide with balance and not rock.
8. Eventually I need to get to .8-.9 seconds tempo, which is sprinting and used when you’re trying to break out of a pack of swimmers during a race.
9. I need to turn the elbow slightly inward which will prepare my hand for the catch. This is also done my turning the thumb in and down. If my elbow is turned the other way, then I will waste a bit of time getting my arm in position for the catch, which can deter me from achieving a higher tempo.
10. When skating, I need to end my hand on top of my thigh, or else my body will more easily over rotate.
11. When I swim, I am throwing water backward with my right hand and not my left. Need to examine this further. I should not be throwing water back.

Learning to Breathe and Sight with Shinji Takeuchi’s TI Swimming 11-13-09

It’s been almost a month since my last lesson with Shinji. My blog was busted until now but finally I can post my notes from my last swim session with him.
This session was focused on improving breathing, and also learning TI’s sighting method which was slightly different than what I was doing.
Previously I noticed that my speed would suffer when I took a breath. Every time I would breathe, I would take the breath and turn my head and look back downward in the water and notice that I had come to almost a complete halt. I needed to figure out how to breathe and still be gliding and not at a dead stop due to bad streamlining.
We went through some drills to improve breathing and not slowing down. The drills were very basic, which was to break down the movement and drill each part partially until the whole movement was perfected.
Generally, the head turns with the body and remains in neutral position with respect to the body position until the very last moment as the head is almost breaking the water, at which point the head turns slightly to take what they call a “sneaky breath”. The water is still sticking to the mouth at this point, and you have to exhale slightly to clear the water away from the mouth so that a breath can be taken. If you move the head too much, you create drag which slows you down.
Also, I’ve found that after reading the TI forums, that slowing down occurs when I do not completely shoot the lead arm forward and complete a strong stroke, and that when I breathe, sometimes I forget to complete the stroke sequence correctly.
These drills were:
1. Take 4 strokes with head down, then turn the body and head until you look at the raised arm (after the stroke and arm recovery, but holding it up in the air) but no taking the breath yet.
2. Take 4 strokes with head down, then turn the body and head until you are almost breaking the water, then turn the head slightly and exhale (to clear the sticking water), and take a breath. Then turn the head down and glide, leaving the recovering arm in the air after its stroke.
3. Do 2, but then recovering arm completes the next stroke after breath.
Since I breath on the right side primarily, I start with the left arm leading and do the 4 strokes, at which time the right arm is the last stroke and can breathe on the right.
For sighting, Shinji says to sight when I shoot the right arm forward. It needs to shoot a bit shallower, as I lift the head up to look above the water. Then drop the head down and complete the stroke.
Drills to practice:
1. Take 4 strokes, then when I shoot the right arm forward, look up to sight and glide.
2. Do 1, then take a stroke after looking up.
3. Do 2, but take a breath after a stroke to get the rhythm of sighting regularly and breathing.
4. If 1-3 too hard, try stroking a few and then shoot the right arm forward and left head to sight, and scull the arms to practice gliding a bit while looking.
I practiced this extensively in the oceans of Hawaii a few weeks back. It works pretty well but the timing is a bit funny for me in the beginning, but I think I got the hang of it.
Other notes:
1. To improve breathing, practice active balance drills. Practice glide and while kicking, rotate the body and practice the ease of doing so.
2. I was still kicking with a lot of splash, so practice silent kicking. Quick, smooth, minimal splash.
3. Same with stroking. No bubbles, enter the arm smoothly into the water, no splash. Focus on quiet entry and shoot forward.
4. On left arm forward skating, I tend to tilt my head to the left. I must keep it straight.
5. Overhead arm recovery is not choppy, but smooth.
6. Another arm recovery drill, while underwater, is to lift the arm circularly up from the bottom.
7. We talked about improvements to practicing rhythm and SPL control. I have not done this yet, but one practice to try is to continually swim lengths at a SPL, and then figure out how to increase or decrease from there. So if the base SPL is at the “0”, then do this:
0 – at the base SPL, it should be an easy pace
-1
-2 – focus on power, more speed
-1
0+1
+2 – less power per stroke, focus on rhythm
Repeat this. Don’t worry about the tempo.
Today, I have another lesson with Shinji on extending TI swimming for speed and time. TI has been running seminars for Advanced Total Immersion which is to drill with TI techniques for speed and distance. I’m hoping Shinji can help me to extend my TI skills to swim longer and faster. I also signed up for an Advanced TI seminar in January. Looking forward to taking that!

Total Immersion: 13 Strokes for 25 Yards Baby Yeah

On Thursday, I practiced swimming efficiency and tried to maintain as low a stroke count as possible for as many 25 yard lengths as possible. Amazingly, I was hitting 13 strokes for the majority of the lengths, one 12 stroke length, and one 14 when I was getting tired.
Some notes:
1. Must be as relaxed as possible. But I can’t be so relaxed that when I initiate a roll to one side, I start rotating too far and become unstable. So I must rotate and then maintain stable position after I finish the rotation.
2. The stroking arm must move forward as fast as possible after hitting the end of the stroke. It must get to the cocked position fast, with slightly hunched shoulder, which drags my hips up in the water, and stops it from dropping too much and slowing me down.
3. The cocked arm must shoot forward fast into the water, which helps me go faster forward. This is in combination with the stroking arm pulling back with the hip roll.
4. The two beat kick really helps. I do a quick, hard snap on the foot that is on the same side as the stroking arm. This helps my hip roll snap over to the other side with great force, which lends force to the pulling arm.
5. Breathing is still an issue. Taking breaths slows me down and adds at least one stroke to the 25 yard length. In order to make 13 strokes, I usually only breathe once down the length. I need to practice breathing more, and when my coach gets back from Japan we will go through this.
Practice, practice, practice…in combination with tempo training, Total Immersion is working great!

TI Swimming with Shinji Takeuchi Third Lesson 9-18-09

My TI coach will be out of the country this next month, so I signed up for my next class for today so that I could practice some more things while he is gone.
Following my amazing feat of hitting 13 strokes for 25yards, I was actually able to hit 12.5 today! Well, the .5 was due to a Michael Phelps-ian half stroke near the wall before touching it; I was not sure if I could glide to the wall or not on my 12th stroke. Oh well – I’m still amazed that 12 strokes is within my reach now. Given that I started at 21, getting to 12ish shows me that I am not a failure at swimming, and that I just needed the right type of instruction to get there.
Some notes from today:
1. Last week’s lesson, my coach told me not to throw water back on the tail end of each stroke. It takes a lot of energy and is not really needed. It was not until today’s lesson that I felt that this was really true. Corrections in my form and using the two beat kick to generate power virtually eliminated the need for throwing water back and I could glide so much further on each stroke without such a tiring move.
2. Today it took me about 3.25 superman glides to get to the other side of the pool. Now 3 is my goal! See next entry on why.
3. I need to flatten my back more, which will make my body more smooth in the water. To do this, I rotate my hips slightly forward, which removes the arch in my back and flattens it out. Doing this on the superman glide made me glide forward a lot longer than with the natural arch that is in my back. I must research this more and also employ it in my regular swimming. This means a slight tightening in the stomach muscles to keep the hips rotated just enough forward while swimming.
4. On the zipper switch and over switch, I should think about the one shoulder shrug when bringing my arm up for the stroke. This movement is also tied to extending my shoulder blade forward. And while doing this, it drags my whole side, and thus my butt higher in the water! Cool no more butt dragging!
5. OK now that I am working on an overhead arm recovery with the zipper switch and overswitch drills, I should practice the overswitch by gradually dragging my wrist, my hand, and then my fingers through the water on the path to a recovery with my hand completely out of the water. All this with 90 degrees at the elbow.
6. With overswitch, I now have to pretend there is a target in which my hand will spear back into the water. My coach tells me that if I enter the water closer to my head, this is generally better for trying to decrease my stroke count. But for more speed, the target shoud be further out. He encourages me to play with different entry points to see their effects. But generally the target is about at the same level out as the other arm’s elbow.
He also notes that advanced swimmers going fast will have an entry point further out and the catch happens almost immediately as the hand enters the water, and the catch is strongly engaged by the bending of the forearm and hand at the elbow very far forward of the head. Thus, the pull back is very strong and is very long as it travels through more water.
7. As the hand spears through the target, it should stop going down but instead bend more forward and shoot to the front, with the hip drive and two beat kick helping to make the move strong. This helps with propulsive force going forward.
8. For drilling, I should pause in the overswitch, and then do a small exaggerated hop into the target. This is to get my feel for entering and hitting the target correctly. I should also practice this with the tempo trainer with what is called half tempo training, where the first beep is the pause at the top, and then the second beep is when I spear into the water and extend forward.
9. Using the tempo trainer, my coach suggests:
Half tempo training:
Start at 1.15 seconds, and then try to lower by .2 to .70 seconds
First beep, elbow up. Second beep, spear.
Full stroke overswitch training:
Start at 1.6 seconds, lower by .2
Arm must get into position before beep!
Underswitch training:
2.4 seconds
Zipper switch training:
1.8 seconds
Tempo trainer workout:
Recommend 1.2 seconds and try to swim 30/60 min at the same tempo.
Notes: He notes that you *will* get tired. So you need to figure out what is causing a particular slowdown of tempo. It could be stroke length, it could be the kick snap is too big or too small. The idea is to move the arms at the same tempo and train that.
He also recommends separating tempo trainer days and reduce stroke count days, so for example, swim either 500 tempo trainer or maintain stroke count.
10. For stroke count training, he recommended trying this workout:
Swim a few 25y sets and find baseline stroke count. Then swim a few lengths of 25y and try to change the stroke count: 0, -1, -2, -1, 0, etc.
11. In watching my video during one drill, I had a severe up and down motion during a stroke. My coach tells me this is because my stroke is not straight back but slightly down also. This is bad! So I should concentrate on pull straight back as much as possible.
12. My first breathing lesson: the idea is that I take a quick breath and then I watch the hand come down into the water, spearing through the target. This will take some practice for sure.
Lots to practice this next month, and looking forward to my next lesson which is more about breathing while swimming.

The Two Beat Kick Decreased My Stroke Count!

On Friday, I learned how to do the two beat kick. Previously, I had no idea what two beat was, nor four or six or two beat crossover kick was. I still don’t. I’ve read the literature and they try to describe in words a physical action and I still can’t get it. Someday I might, but not today.
In any case, my TI coach went over the two beat kick with me. It was a tough coordination exercise as I’m supposed to kick the foot that is on the same side as my stroking arm. I discovered that I was right foot dominant, and tended to kick that foot on either side. My coach then ran me through some exercises to focus on kicking the correct leg on a particular side.
Today, I went to the pool after that session and was determined to get the coordination of the two beat kick down. I ran through some of the isolation exercises for a while and thought I got it. So then I went to swim some normal laps, trying to maintain the correct form of the two beat kick. I would actually cock the leg a bit more than normal just to emphasize which foot was kicking, and attempt to keep my other leg relaxed and extended straight back.
On my first swimming length of 25y, I counted my strokes and made it down in 14 strokes! WHOA. This is a significant result. In my first swim lesson, my coach took a look at me, my swim style, my body shape and height, and figured that 14 would be a great goal for me. In weeks previous, I’ve been working hard at decreasing my stroke count, and seemed to hit a wall at 16. Most of the time, I was at 17 strokes to touch the far wall, and I felt like I was cheating a bit since I would just stroke less to let myself glide more. But today, while stroking normally and using the two beat kick, I made it down in 14 on the first try.
Well, I didn’t believe it. I thought I counted wrong. If you swim a lot, you know what I mean. Your brain wanders, you get confused as to which stroke was which number. It’s easy to lose count.
So I pushed off the wall and swam another length. This time it was 13 strokes! Now I’m starting to believe it. I swam another 2 or 3 lengths at 14, and then I got tired and/or messy in the technique and dropped to 15 which I swam for several more lengths.
As far as I can tell, the two beat kick does a few things for me. As I kick, the leg helps my hip rotate to the other side. Apparently, as the hip gets an extra oomph to rotate, that helps to drive the lead arm forward, and lend more energy to the stroking arm which is pulling back via connection to the hip. In other literature, I’ve read that kicking correctly also stabilizes the body more during a stroke. I didn’t feel this particularly as it seemed like the hip rotation was throwing me off kilter, but perhaps not as I was propelled forward more with each stroke than before using the two beat kick.
I’m looking forward to drilling the two beat kick more and seeing if I can more consistently maintain 14-15 strokes per 25y, or perhaps even less (12 anyone?).

TI Swimming with Shinji Takeuchi, Second Lesson

Yesterday I had my second lesson with Coach Shinji. Once again it was full of insight and watching the video of me swimming afterwards was again painful (haha!). But Coach Shinji is great at breaking down the details of swimming and explaining it well, and also has taught enough people to know that there isn’t one way of swimming that fits everyone. He is able to articulate things to try to improve someone’s stroke as an individual, versus trying to shoehorn the “one way of swimming” into everyone.
Some things I learned from yesterday:
1. I need to be completely relaxed in the water. That means holding my body straight without tension but being relaxed. I tend to stiffen my neck too much in particular.
2. He advocates a flatter back. In watching my videos, I seems to arch a bit. I need to figure out how to rotate my hips forward just a tad to reduce the arch in my back.
3. I discovered my head position was too tipped forward, meaning my chin was too close to my chest. He told me that they tell their students to look directly down at the bottom of the pool because too many look forward. However, then he told me that actually you should be looking very slightly forward once you get more advanced.
For me, when my head was too tipped forward, it proved to be a factor that slowed me down considerably. I think the water was being stopped by the way my head was positioned, and once I tilted my head upward slightly, it presented a better profile for cutting through the water.
4. The under-switch is very interesting as its apparently used for underwater swimming in competition in Japan. There is an interesting video of a group of swimmers who swim the length of a 25 yard pool the whole way underwater using the under-switch stroke.
I also need to widen the pause position slightly, which is when my hand comes up under my body and I pause with it approximately extended to the same level as my other arm’s elbow. It is pointed too much towards my centerline.
5. He suggested I change my 6 beat kick (well, my feeble attempt at 6 beat kicking) to kicking my top leg a little bit less in frequency, and my bottom leg with more frequency. It’s definitely a bit weird to not be kicking with the same frequency and took me a while to get the hang of it, but somehow the different kicking frequencies allowed me to travel faster while kicking only. I need to research this more.
6. He taught me the two beat kick, which I think I like better because it allows me to maintain an undisturbed streamline better than kicking a lot. It also means less kicking, which conserves energy a lot more than kicking more. The funny thing for me is that the two beat kick means that I need to kick the bottom leg as the lead arm, which is on the bottom, strokes back, or kick the same leg as the stroking arm. I definitely need to practice this more. I seem to kick both legs when I try to kick the left leg. Need to uncoordinate the legs so that only one leg is kicking, and also at the right time. For some reason, I want to kick the top leg when I stroke the bottom arm.
For practice, I am to accentuate the kick on the stroke while attempting to keep the other leg extended, straight, and motionless.
7. I got into the zipper-switch practice today. This is beginning of practice the over-arm recovery. In TI, the elbow is high, but the wrist should be directly down from the elbow. Also, the elbow should always be at 90 degrees. As the elbow comes up, you need to lead with the elbow and not with the hand. This keeps the elbow high and gives you a reserve of potential energy which you use to help drive the arm forward once it enters the water. Also, I learned to actually extend with the shoulder blade versus lifting the elbow; this has the interesting effect of dragging the side of my body forward, which (bonus!) then brings the back half of my body up and helping keep my hips high in the water. Definitely a good thing to help cure me of my hip dragging swim style!
For the drill, I hold my elbow at a position that is about the same as where I pause for the under-switch, and then drive my hand down into the water with the potential energy stored by the high elbow, as well as using the hip turn for giving it even more energy.
8. TI Swimming teaches stroking your arms along tracks, which are the width of your shoulders. One thing that I learned was that the tracks should be positioned when you are flat on the water. However, when you’re swimming, your body is angled BUT the tracks remain at the same width as you’re flat. Because your body is angled, the result is that where your shoulders are during the angled body position are actually too narrow. This means that as I extend my arm out during a stroke, it needs to drift to the outside slightly to compensate for the fact that I am angled.
If my hands get too narrow during the stroke, this is bad because it slows me down as it tips my body in strange ways, creating more drag.
I’m looking forward to drilling all this over the next few weeks, and then onwards to my next lesson!

Total Immersion Perpetual Motion Presentation

I’m a big fan of Total Immersion, an outfit based on the east coast that teaches swimming. You might think that there are many people who teach swimming, from coaches to the YMCA to your high school swim team. But after experiencing some of them, I’ve found that Total Immersion has done a better job than most breaking down the elements required for swimming and helping to improve each one.
I love this Perpetual Motion Presentation that Terry Laughlin gave at a New England Multisport Expo. What I love:
1. Terry asks the audience whether they are swimming better today than in years past. Most say yes, but he also talks about reaching what one of his students says is “terminal mediocrity”, which is no matter how much they swim, they never seem to get better. I feel that over the years I’ve swam now, this very much applies to my swimming. I am doing some things better, but I have not made significant strides, and sometimes I feel like I’m regressing in my swimming during the season.
2. Terry talks about the fact that with each swim session, his goal is to swim better at the end than when he began the swim session. I think this is crucial and something that I’ve set as a goal, but not seriously pursued or even attained in the sense that as the season has gone onward this year, I’ve actually started swimming slower and slower. Obviously I’m not swimming better or else I should be faster right?
3. He talks about things that are counterintuitive in increasing swimming ability, which I agree with more and more. I don’t feel like swimming more and more laps, at decreasing interval goals, is doing anything but make more frustrated and tired. Although there is this notion that I need to figure out what it is I need to do in the water to be better, and also trying to apply the minimal clues that a unfortunately distracted Masters coach is trying to tell me, neither is enough information to get me to doing the better thing. Nor am I given the opportunity to practice what I need as an individual during a normal Master’s workout because these are set workouts for the group as a whole.
I have found Total Immersion techniques are setup to drill specific parts of the stroke, and to discover which parts need more work and which ones need less. Also, in working with Coach Shinji at TI Swim West, it’s been great having one and one sessions where someone can focus on what I am doing, and help me adjust at a micro level what to do better.
4. He talks about the importance of imprinting correct habits, which is something I can only do by drilling by myself over and over. I don’t often get the chance to do this during a Master’s workout. Thus, I am swimming more and more by myself now so that I can just make sure I am swimming exactly the way I should be swimming each time, and if I can’t hold that form, I just get out of the pool because I’ve either become mental burnt out and/or I’m too tired.
5. I love his explanation style. It’s obviously been built up from years of thinking about, studying, and explaining this stuff. Most coaches don’t talk about swimming in this way and just ask you to try things from a physical standpoint, but lack the mental explanation part of the training which I like, which is to noodle on things in my brain as much as I try to do something physically.
I have really enjoyed watching this presentation; it really helps fill in the gaps in my thinking about swimming and how to get faster.
I think it’s a shame that many coaches talk down on Total Immersion and its teaching theories and techniques. It’s sort of like when martial artists say their kung fu is better than someone elses – if you’ve studied a lot of martial arts, you’ll know that every style has its own specialties, and that many of these work better for certain body types and personalities. There are so many factors in winning a combat against another individual that it isn’t that one style is better than another, but rather it’s you picking the best fighting techniques (which may or may not be style dependent) based on what works for you. So Bruce Lee’s philosophies on taking what works for you applies not only to martial arts, but to other types of training like swimming. I’m learning that there is much variability in what makes an individual fast in the water, and what works for one person may not work for another because people are different in body type and shape. I think Total Immersion is great for figuring out what is going to work for you from a technique standpoint.

Total Immersion Swimming with Shinji Takeuchi

Today I went to my first lesson with Coach Shinji Takeuchi, who runs Total Swimming West (TI Swim West). I was getting kind of frustrated with my swimming in that I was improving, but I did not have consistent improvement nor did I have a good sense of what I should be improving. Shinji was perfect; a private coach and he videotaped his students for later review!
Also, I watched his cool videos on Youtube. Man, look at this guy swim:

He’s so frickin’ smooth it’s unbelievable. I knew that I had to take lessons from him – I’ve always wanted to achieve that smooth, glide stroke and didn’t really know how to get there.
Back in 2003, I took a TI seminar and thought it was pretty good. But I also felt that being a group seminar that individual attention was not possible so it helped, but I think that I wasn’t able to improve further. Now I could get firsthand individualized instruction: perfect!
Coach Shinji started videotaping immediately and he taped me the whole time. Watching my swimming video is always painful; I think I’m not all that graceful in the water! But I did show improvement by the time the 45 minute coaching session was over.
The most interesting points I learned was:
1. When I turn to one side during a stroke, my lead hand needs to spear forward at about 6″ under the surface, and then end up about 12″ down and also about 4″ outward. The outward distance counterbalances my body turning to that side, and the 12″ down helps keep my hips up by providing a counterbalance forward.
2. Speed comes from the hip not only in pulling the stroke hand back, but also in driving the spearing hand forward.
3. Relaxation of the whole body enables longer glides.
4. I was arching my back too much and need to rotate my pelvis slightly forward to more flatten my back. This also increased my speed.
5. Kicking too much uses up oxygen. He ran me through some repetitions of drills without taking a breath and I found I could go farther by kicking less intensely. Of course relaxing helped as well.
My target goal is to make it across a 25 yard pool in 14 strokes. Right now I’m about 21. In terms of drills, I should be able to make it across the pool with the Superman glide in 3 or less; I’m at 5 right now and should be able to do better.
Lots of practicing between now and my next lesson. Looking forward to more coaching from him!